Dragonology

  • CHASING THE DRAGON PART 1 & 2

    DRAGONS feature in history and mythology, in many different contexts, in different time periods and in different locations throughout the world.
    Mel Ve’s curiosity with DRAGONS was sparked at a young age upon learning that she was born in the year of the DRAGON.
    Over the last 20 years, Mel Ve has engaged on an in-depth study of ancient history and mythology, and has discovered the re-occuring patterns which proves the existence of DRAGONS, and their influence on our CULTure.
    CHASING THE DRAGON PARTS 1 & 2 are introductory videos for people who are new to this information. It is the precursor to the Mel Ve’s much expanded body of work known as DRAGONOLOGY
    www.dragonology.info

    5.00
  • CHASING THE DRAGON PART 1 & 2

    DRAGONS feature in history and mythology, in many different contexts, in different time periods and in different locations throughout the world.
    Mel Ve’s curiosity with DRAGONS was sparked at a young age upon learning that she was born in the year of the DRAGON.
    Over the last 20 years, Mel Ve has engaged on an in-depth study of ancient history and mythology, and has discovered the re-occuring patterns which proves the existence of DRAGONS, and their influence on our CULTure.
    CHASING THE DRAGON PARTS 1 & 2 are introductory videos for people who are new to this information. It is the precursor to the Mel Ve’s much expanded body of work known as DRAGONOLOGY
    www.dragonology.info

    5.00
  • DRAGONOLOGY EXTRA SPECIAL FEATURE | Mel Ve interviews Archeologist Sheila Coulson about the oldest RITUAL and SERPENT WORSHIP site to be found | 25 January 2017 at 9pm GMT – Not to be missed, this amazing in-depth discussion between Dragonologist Mel Ve, and Associate Professor of the University of Oslo, Norway, Professor Sheila Coulson.

    Sheila was responsible for a team that excavated a site that been dated to be the oldest evidence of RITUAL activity and definitive evidence of SERPENT WORSHIP.

    In this interview, Sheila discusses the key aspects of RITUAL, and what her excavations of the Rhino Cave at Tsodilo Hills in Botswana, turned up in terms of ancient evidence of RITUAL activity.  The most fascinating aspect of the discovery of these caves, is the carved serpent, underneath which an excavation took place revealing many RITUAL elements, including stone points, which had been meticulously created from stone that was taken to this cave from a great distance away, and left as votive offerings in this cave.

    What is the most fascinating aspect of all this, is the dates that have been suggested with regards to how long the ritual activity had been going on at that cave, and Sheila’s conservative estimate was that there had been ritual activity going on in Rhino Cave for 70 000 years.

    Much is revealed in this interview proving that this site could have been part of a much older civilisation that existed there long before the Khoisan tribes moved into the area.  Serpent worship is the oldest form of religion, from which all other religions have evolved.

    2.50
  • The world we live in is vastly imbalanced and corrupt. Many people suffer as a result of a broken system. This beckons the question of how we have gotten to this point. The educational institutions indoctrinate children with a false history, so that they do not know the truth about where they come from, and who they really are in the greater scheme of reality. We are programmed into believing in a false version of reality, in order that we are controlled and programmed into being slaves for the draconian construct.

    The DRAGONOLOGY ORIGINS presentation is a two hour educational talk by Mel Ve, which goes deep into the origins of humanity, presenting evidence of advanced civilisations existing as far back as 70 000 years before present. This presentation takes a trip through some of the major archaeological ruins to have been discovered, several of which challenged main stream academia’s official time lines with regards to anthropological development of humanity.

    5.00
  • Thank you to all who have taken such a great interest in my new series, DRAGONOLOGY.  The aim with this series is to break down the information into recognizable and digestible pieces, in order to bring the detail to a much greater understanding and awareness in the public relm.

    Tying all the pieces together can sometimes be rather trying, but through an exploration of our true history, by focussing on a common root being DRAGONS, which can be traced to almost every CULTure across the planet, we are able to tie together the pieces of human history that has been otherwise relegated to the realms of semi dismissive mythology.

    Understanding the CONTROL MATRIX,  and how the architects of this matrix have constructed it, forms a key part of this course material.  This is most certainly not recommended for people, who are heavily invested in defending any auxiliary belief structure.  The nature of this course in DRAGONOLOGY, is to fulfil a distinct purpose of deconstructing and decoding the false reality we have been taught, through an examination of art, sculpture, architecture, literature, religion, mythology, and language.

    For those who want a little sneak preview into the upcoming series, take some time to watch PART ONE & PART TWO of Mel Ve’s series entitled CHASING THE DRAGON.

    0.00
  • Thank you to all who have taken such a great interest in my new series, DRAGONOLOGY.  The aim with this series is to break down the information into recognizable and digestible pieces, in order to bring the detail to a much greater understanding and awareness in the public relm.

    Tying all the pieces together can sometimes be rather trying, but through an exploration of our true history, by focussing on a common root being DRAGONS, which can be traced to almost every CULTure across the planet, we are able to tie together the pieces of human history that has been otherwise relegated to the realms of semi dismissive mythology.

    Understanding the CONTROL MATRIX,  and how the architects of this matrix have constructed it, forms a key part of this course material.  This is most certainly not recommended for people, who are heavily invested in defending any auxiliary belief structure.  The nature of this course in DRAGONOLOGY, is to fulfil a distinct purpose of deconstructing and decoding the false reality we have been taught, through an examination of art, sculpture, architecture, literature, religion, mythology, and language.

    For those who want a little sneak preview into the upcoming series, take some time to watch PART ONE & PART TWO of Mel Ve’s series entitled CHASING THE DRAGON.

    0.00
  • Thank you to all who have taken such a great interest in my new series, DRAGONOLOGY.  The aim with this series is to break down the information into recognizable and digestible pieces, in order to bring the detail to a much greater understanding and awareness in the public relm.

    Tying all the pieces together can sometimes be rather trying, but through an exploration of our true history, by focussing on a common root being DRAGONS, which can be traced to almost every CULTure across the planet, we are able to tie together the pieces of human history that has been otherwise relegated to the realms of semi dismissive mythology.

    Understanding the CONTROL MATRIX,  and how the architects of this matrix have constructed it, forms a key part of this course material.  This is most certainly not recommended for people, who are heavily invested in defending any auxiliary belief structure.  The nature of this course in DRAGONOLOGY, is to fulfil a distinct purpose of deconstructing and decoding the false reality we have been taught, through an examination of art, sculpture, architecture, literature, religion, mythology, and language.

    For those who want a little sneak preview into the upcoming series, take some time to watch PART ONE & PART TWO of Mel Ve’s series entitled CHASING THE DRAGON.

    0.00
  • Thank you to all who have taken such a great interest in my new series, DRAGONOLOGY.  The aim with this series is to break down the information into recognizable and digestible pieces, in order to bring the detail to a much greater understanding and awareness in the public relm.

    Tying all the pieces together can sometimes be rather trying, but through an exploration of our true history, by focussing on a common root being DRAGONS, which can be traced to almost every CULTure across the planet, we are able to tie together the pieces of human history that has been otherwise relegated to the realms of semi dismissive mythology.

    Understanding the CONTROL MATRIX,  and how the architects of this matrix have constructed it, forms a key part of this course material.  This is most certainly not recommended for people, who are heavily invested in defending any auxiliary belief structure.  The nature of this course in DRAGONOLOGY, is to fulfil a distinct purpose of deconstructing and decoding the false reality we have been taught, through an examination of art, sculpture, architecture, literature, religion, mythology, and language.

    For those who want a little sneak preview into the upcoming series, take some time to watch PART ONE & PART TWO of Mel Ve’s series entitled CHASING THE DRAGON.

    0.00
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